Free PDF A Practical Handbook for the Actor, by Melissa Bruder, Lee Michael Cohn, Madeleine Olnek, Nathaniel Pollack, Robert Previtio, Scott Zigler
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A Practical Handbook for the Actor, by Melissa Bruder, Lee Michael Cohn, Madeleine Olnek, Nathaniel Pollack, Robert Previtio, Scott Zigler
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6 working actors describe their methods and philosophies of the theater. All have worked with playwright David Mamet at the Goodman Theater in Chicago.
- Sales Rank: #19556 in Books
- Published on: 1986-04-12
- Released on: 1986-04-12
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .32" w x 5.20" l, .25 pounds
- Binding: Paperback
- 94 pages
From the Inside Flap
6 working actors describe their methods and philosophies of the theater. All have worked with playwright David Mamet at the Goodman Theater in Chicago.
Most helpful customer reviews
27 of 28 people found the following review helpful.
"Action", not acting
By gzander
I am a firm believer that there is no one "right" way to be an actor. However, I *do* think that actors should expose themselves to many different schools of thought and find what works for them. So whether you are a Meisnerian, a Stanislavski-ite, or a Hagenist, you owe it to yourself to read this. It is what I would call "de-constructionist" acting technique -- breaking things down to their essential elements of action and intent. I was never able to get my mind around some of the more esoteric elements of other acting methods, but this one made sense to me. You may also want to read "True and False" by David Mamet, as it provides some of the philosophical underpinnings for this approach to acting.
0 of 0 people found the following review helpful.
One Star
By Amazon Customer
Repetitive. Extremely basic. Commonsense type stuff
11 of 11 people found the following review helpful.
Exciting Choices for the Actor
By Lee Armstrong
I used this book to teach a beginning acting class at our community college. It is an excellent introduction to the craft. The book gives clear examples of selecting an action that create clear and exciting choices for the actor. Rather than focusing on emotional states such as "you're angry or you're happy," the text shows how to allow emotional truth to come from the moment while focusing on what the character is doing. The examples in the book are practical and relate well to the craft. I particularly appreciated that an action should have a test in the other character. So rather that an character delivering a letter with an action "to deliver" that is over without fanfare, a more exciting action would be "to please my boss so I'll get a promotion." The character still delivers a letter, but with a more dynamic action that is interesting to watch. The book is short. I covered the material in our film acting and stage acting units in about eight classes. It's short, sweet & to the point. I recommend it as a great review for experienced actors and as a wonderful introduction to beginning actors. Enjoy!
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